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Literacy Program for Children Gains Popularity in Colorado

Monday, July 11th, 2011

Literacy program for children gains popularity in Colorado health clinics
ByColleenO’Connor TheDenverPost

Read more:Literacy program for children gains popularity in Colorado health clinics - The Denver Posthttp://www.denverpost.com/search/ci_18355318#ixzz1RjVND0f8

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This summer, 1 million brand-new books will be given to children during health clinic visits across the United States. The goal is to hook kids under age 5 on a lifelong passion for books and create a solid foundation for reading success in elementary school.

But the 20-year-old program has another fringe benefit: The parents of Colorado kids who get a book during their checkups are more likely to make sure their children regularly visit the doctor, a survey of program participants shows.

The national nonprofit Reach Out and Read expects to hand out about 25,600 books daily until International Literacy Day, Sept. 8. The child-literacy organization started at what is now Boston Medical Center and came to Colorado in 1997 after a pediatrician at Denver Health heard about the success Boston doctors had with “prescribing” books to kids who visited their offices for checkups.

“It grew very grassroots across the state as providers heard about it,” said Megan Wilson, executive director of Reach Out and Read Colorado. “Expansion in the rural parts of the state has been tremendous, and the need has been tremendous. In some communities where we’ve started, there have been no other resources for young children to get new, high-quality books.”

In Colorado, the number of clinics distributing books has increased to 168 from 53 in the past five years. More than 143,000 books from Scholastic are given out each year.

“She always asks for books every time we come,” said Laura Atkins of her daughter, Heaveneiya, 3, during a visit to Doctors Care in Littleton, which has served more than 20,000 uninsured or underinsured patients since 1988.

Heaveneiya received her first book from the doctor at 6 months old, and her frequent request - “Mommy, read me this book!” - has strengthened the mother-daughter bond.

“We get busy as parents, but this helps to sit down with them and a book, even if it’s just five minutes,” said Atkins, watching her daughter sitting on the exam table, avidly flipping the pages of her new book. “They enjoy it, and it helps them learn, to hear the words pronounced.”

Doctors Care has two floor-to-ceiling closets stocked with age-appropriate books, in English and Spanish, including such classics as “Goodbye Moon” and “Curious George.”

Practitioners hand out a book at the start of a visit, and talk with parents about reading’s importance to a child’s overall development.

To understand how parents were affected by the program, Reach Out and Read Colo -rado last year hired a public-education consultant to conduct a survey involving 207 parents and 49 medical practitioners.

While the majority (96 percent) said the children were happy to receive the gift of a book, differences were found between English-speaking and Spanish-speaking families.

Forty-three percent of Spanish-speaking families reported that a parent often reads to a child, compared with 73 percent of English-speaking families. English-speaking families said obstacles included a lack of time, or the energy required to get a child to pay attention, while Spanish-speaking families more often cited limited ability to buy or access books, and difficulty reading English.

One hundred percent of Spanish-speaking parents said their child looked forward to getting a book, compared to 75 percent of English-speaking parents.

Seventy percent of Spanish-speaking parents said they were more likely to go to their next well-child visit because their child will receive a book, compared with 48 percent of English speakers.

Reach Out and Read Colorado raises 65 percent of its own funds, gets about 25 percent from the national organization, and clinics pay for about 10 percent. But earlier this year, the national organization had lost its federal funding - about $6 million - because of severe budget cuts.

“We in Colorado are stepping up funding,” said Wilson, “so the clinics won’t notice.”

Colleen O’Connor: 303-954-1083 orcoconnor@…

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Yvonne Siu-Runyan

Education is not the filling of a bucket, but the lighting of a fire.
– W. B. Yeats

It is books that are the key to the wide world; if you can’t do anything else, read all that you can.
– Jane Hamilton

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We Need High Expectations for All Schools

Sunday, July 10th, 2011

I agree with Paul Tough’s commentary in the New York Times. We must have high expectations for our youth. Education is the door to opportunity for their future and ours. If we only open it halfway or just slightly open, hope cannot enter and brighten the future for our youth and our country.
Not only do our young people need a rigorous, thought-provoking, comprehensive and college-ready education, but so do we. Can we afford to separate ourselves from our children? No. We, teachers, administrators, parents, businesspeople, need to work together to give schools all the tools they need to help students grow and achieve academic proficiency and excellence. It starts with reading, vocabulary development, wordplay and engaging instructional practices. Books and more books are needed in classroom libraries. Professional development and coaching for teachers can help greatly in achieving these ends. Teachers and administrators cannot give up on their students and resort to cheating to protect their jobs. School districts cannot just rely on test scores to prove that students are learning. Charter schools are not the enemy but they should not be established and run like an apartheid school system. Unions are not the enemy. All schools need experienced teachers.

– by Jeanette Toomer
July 10, 2011

Freedom Party protests “Scottsboro Boys” the musical at Tonys

Saturday, June 18th, 2011

Last Sunday, June 12th, the Freedom Party staged a loud protest outside the Beacon Theater and the Tony Award ceremony and television broadcast. Led by City Councilmember Charles Barron over 20 protestors lined up with signs and shouts of “racism” against the 12 Tony nominations for “The Scottsboro Boys,” the musical. For more details, pick up a copy of the “New York Amsterdam News” at newstands or visit www.dailychallenge.com for my article.

By Jeanette Toomer
June 18, 2011

Teacher Journal: Are You Being Aged Out?

Saturday, June 18th, 2011

It’s that time of the year again in public schools. It’s time for the end of the year rating. I find that many teachers facing “U” or “Unsatisfactory” ratings are over the age of 40 and more tellingly over the age of 50. In New York older tenured teachers face unsatisfactory observations during the year and unsatisfactory ratings at the end of the school year. This type of rating may have some credibility for some, but for many teachers in New York who receive these ratings they are unfounded, biased and based more on harassment with the end goal of early retirement or else just quit.

For older tenured teachers, especially over the age of 50, these ratings have more to do with freeing up salary monies to hire two new teachers for the price of one older teacher with a salary over $75,000 a year. A veteran teacher can do well teaching and grading students and even insure that over 80% of her students pass the end year state Regents exam, but all that does not matter. At some point these veteran teachers will need the support of their unions, students, parents and the public to help fight this disturbing discriminating trend in public education.

These teachers are judged and wrongly rated based on their age and years in public service as teachers. This should be something to be celebrated instead of something to be discouraged and dismissed as unsatisfactory. At the very least, the teacher’s unions should take a long, hard look at how older, tenured teachers suffer age discrimination and harassment in New York and other cities.

By Jeanette Toomer
June 18, 2011

Councilmember Charles Barron To Stage Protest outside Tony Awards

Thursday, June 9th, 2011

I just received a news update from the editor, Joan Allen, at the Daily Challenge News. She reported that Councilmember Charles Barron and the Freedom Party are organizing an protest outside the theater where the Tony Awards ceremony is scheduled against the nominations for “The Scottsboro Boys,” the musical.

In addition, the New York Amsterdam News is also publishing my article on the Tony Award nominations for “The Scottsboro Boys” its online edition. On their website one can also find older articles from November 2010 where writers, critics and theatregoers loudly criticized the racist imagining the true story of the Scottsboro boys in the minstrel tradition.

Below is a copy of a response I received on my website for protesting the Tony Award nominations for “The Scottsboro Boys”:

Several points need to be raised: writers are free to present a story using any devise they choose, including the outdated structure of minstrelsy (which lives on, albeit in a modified form, on late-nite TV); if you found this one insulting you must have vomited on your way out during the first 10 minutes of ‘Book of Mormon’; finally, it seems to me that a more forceful protest would be made on the consistency of AF-Am (Black) characters on Broadway that are half-drawn, diluted or completely left out. Or, how about complaining and protesting the seasons that have virtually no Blacks cast in new shows? Just how many Black Elphabas or Zazas or Roxies have there been? Seems to me that you went to the show looking to be insulted - congratulations, mission accomplished.

I have not seen “The Book of Mormon” which I see is known as an “equal opportunity offender.” If it targets and ridicules young black men who suffer a great injustice like “The Scottsboro Boys” it deserves the same kind of protest and outrage.

I recommend “Sister Act” to win the Tony Award for best musical.

On the other hand, I also recommend George C. Wolfe and his co-director for best director for “Normal Heart.” I do commend the Tony Award committee for giving a special award to South African playwright, Athol Fugard.

Yet the musical, “The Scottsboro Boys” is so racially offensive and insulting that I could barely stomach it with a finale that ends in blackface! There was only one musical number that demonstrated some semblance of self-respect, a solo, sung by Joshua Henry. That was not enough for a two and half hour minstrely show full of bad taste and racial insults.

by Jeanette Toomer

Original Scottsboro Review

Wednesday, June 8th, 2011

Here is an excerpt from my original review of “The Scottsboro Boys,” musical published in The Daily Challenge:
The new musical, “The Scottsboro Boys,” on Broadway at the Lyceum Theater tells the true story of nine black men wrongly arrested in 1931 for raping two white women. It takes place in Alabama and that says it all. Yet, the producers build a minstrel show framework around this historic tale of societal injustice and racism that offends and insults modern black audiences. The height of this offense comes in the grand finale when the all black male cast dances in full blackface greasepaint and white gloves.
Minstrelsy was a form of theater in the early 1900s through 1930s that black actors performed for white audiences in segregated theaters. Many of the characters portrayed amounted to nothing more than buffoons or other black stereotypes. The “minstrel shows” actually originated in the 1850s with “groups of white minstrels wearing blackface whose material caricatured the singing and dancing of black slaves.” In “The Scottsboro Boys” the opening number introduced two of these laughing and grinning cartoon types as “Bones,” and “Tambo.” Full-blown racism not only ruled the court system but America’s stages as well.
Although minstrelsy may seem a suitable vehicle for staging the Scottsboro Boy’s story, it is not necessary. In fact, it adds an uncomfortable quality of “for whites only” as if the black audience members are not even present. In its worst cases, like the “electric chair” dance, the impact is repugnant as the black victims fall into the chair and after jolted by electricity, jump up again and dance around like the living dead. The racist assault on our persons detracts from the power of the story of the Scottsboro case which alone proves to be quite enlightening, dramatic and educative on its own merits.
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This is proof enough that this show does not deserve any Tony Award nominations. The Drama Desk did not nominate this musical for any awards probably due to its objectionable and insulting nature.

– Jeanette Toomer

“Sister Act” Reigns Supreme on Broadway

Wednesday, June 8th, 2011

“Sister Act,” the Broadway musical, starts small with a nightclub audition for the clubowner’s mistress and quickly builds its house of witty lyrics, comedic twists, and delightfully ironic character performances to a winning crescendo by the intermission. And that’s just the first act. With book by Cheri and Bill Steinkellner and direction by Jerry Zaks “Sister Act” does not miss one beat of satisfying story and musical comedy. The star, Patina Miller, delivers an exquisite Tony-worthy performance as Deloris Van Cartier.
After Deloris’ audition for gangster/clubowner, Curtis Jackson, she walks unannounced into his back office just in time to witness his murder of another criminal. She quickly backs out of the office with a litany of apologies and promises to keep quiet while Curtis sends his goons after her with orders to kill her. Next stop for Deloris is the local police station where an old friend from high school, Police Officer Eddie Souther, places her in secret protective custody in the convent with the nuns of Queen of Angels church.
The church is on the verge of sale to outside investors, but after Deloris arrives and breathes fresh air and plenty of style into the nun’s choir things change dramatically.
It is this change and the contrasts that make this show so appealing. From a loving boyfriend Curtis turns into a single-minded murderer, here played sardonically by Kingsley Leggings. From a wimpy collection of nuns in a weak off-key choir the nuns transform into a dynamic chorus with exciting layered performances from Marla Mindelle, Victoria Clark and Sarah Bolt. Even the Monsignor O’Hara, portrayed handsomely by Fred Applegate, carries a somber demeanor in the beginning and then slowly morphs into to a Barry White-inspired m.c. persona as he introduces the popular new choir of nuns led by Sister Mary Clarence, aka Deloris Van Cartier.
Chester Gregory returns to Broadway in his role as Officer Eddie, also known as Sweaty Eddy who holds a secret crush on Deloris. He steals the show with his wish fulfillment song and dance number, “I Could Be That Guy.” Several upbeat songs, “Raise Your Voice,” “When I Find My Baby,” “Take Me to Heaven” and “The Life I Never Had” are totally captivating. The music by Alan Menken with lyrics by Glenn Slater not only entertain, but lifts the characters and performances to fresh new heights of musical theater.

Produced by Whoopi Goldberg and Stage Entertainment in association with the Shubert Organization and Disney Theatrical Productions “Sister Act,” the musical, successfully builds on the popularity of the original movie and its sequel. Nominated for best musical as well as four other Tony awards “Sister Act” stands to enjoy a long run at the Broadway Theatre.

by Jeanette Toomer
June 7, 2011

Protest “Scottsboro Boys” performance at Tony Awards

Tuesday, June 7th, 2011

The short-lived Broadway musical, “The Scottsboro Boys,” received several nominations for Tony Awards. This broad presentation in the minstrel tradition of the Scottsboro trial of the early 1930s is racist. Read my article below and contact your local elected official and the NAACP to register your protest. Perhaps if we register our protest the musical number from “The Scottsboro Boys” will not air nationally this Sunday night, June 12th.

Tony Committee Nominates Racist Musical, “The Scottsboro Boys”
By Jeanette Toomer
Surprisingly, the Tony Committee awarded several nominations for theater excellence to the director and team behind the short-lived musical, “The Scottsboro Boys.” The offensive format of minstrel comedy and blackface made this production a shocking horrific reality which sparked a protest from blacks and other political groups in New York. Yet, ironically this reprehensible musical now stands to enjoy a national spotlight during the telecast of the Tony Awards this Sunday, June 12th which traditionally features a musical number from each of the nominated shows.
Competition is tough this week, thankfully, so “Scottsboro Boys” has little hope of winning any honors. “Scottsboro” does not stand a chance against “Sister Act,” also nominated for musical. Susan Stroman has a nomination for direction of “Scottsboro” and cannot expect to win for staging a racially offensive musical that makes light of young black men, the victims of a great injustice in the early 1930s. In this category she does not equal her rivals that include Casey Nicholaw and Trey Parker for “The Book of Mormon” and Rob Ashford for “How To Succeed in Business Without Really Trying.”
A favorite for acting honors are Pattina Miller in the lead role and Victoria Clark as Mother Superior both in “Sister Act.” This outstanding musical also enjoys noms for best score (music and lyrics) created by Alan Menken and Glenn Slater. In this category it goes up against “Women on the Verge of a Nervous Breakdown,” “The Book of Mormon,” and “The Scottsboro Boys.” Due to the ill-advised, racially-insulting and derisive nature of the lyrics of the songs from “The Scottsboro Boys,” Stroman’s show does not have any chance to win this honor.
The best book of a musical nominations go to “Sister Act,” “The Book of Mormon,” “Bloody, Bloody Andrew Jackson,” and finally “The Scottsboro Boys.” I can’t imagine any show more unnerving, hurtful, and racially divisive as “The Scottsboro Boys” which just for the appalling treatment of this real life injustice places the boys in last place for consideration.
My prediction is that the Tony Awards for best musical goes to “Sister Act.” Pattina Miller also wins for best performance by an actress in a leading role in a musical.
To add more insult to injury the Antoinette Perry Awards committee also nominated “The Scottsboro Boys” for best choreography and orchestrations. Three actors, Joshua Henry, formerly of “The Wiz” and “In the Heights,” Colman Domingo, and Forest McClendon enjoy noms for best actors in a musical. Joshua Henry stars as the only Scottsboro boy who stands up for justice and refuses to “shuck and jive” in the minstrel fashion. Overall, this show diminishes and tarnishes the memory of these real-life young victims when it portrays them as buffoons and minstrel clowns.

June 7, 2011

Support Literacy Education! Write your Congressional Representative

Sunday, May 15th, 2011

Last week I received the following letter from NASSP which reiterated many of the same concerns of the National Council of Teachers of English. If good people do nothing, all children will suffer. Today, go online or write a letter or phone your elected official and tell them how crucial is literacy education in schools. Read Mary’s letter below:

Dear Jeanette,
The first small bill toward reauthorization of the Elementary and Secondary Education Act (ESEA) that the House Education and the Workforce Committee introduced on May 13 outright eliminates several programs vital to NASSP members and your work as secondary school leaders. Named the Setting New Priorities in Education Spending Act (H.R. 1891) and introduced by Rep. Duncan Hunter (R-CA), this bill eliminates authorizations for ESEA programs that are no longer funded (including those that lost funding in the recent FY 2011 Continuing Resolution and those proposed for consolidation in President Obama’s FY 2012 Budget Request). Thus, the following key programs would be eliminated:

School Leadership

Striving Readers Comprehensive Literacy Program

Smaller Learning Communities

Elementary and Secondary School Counseling Programs

High School Graduation Initiative

Safe and Drug Free State Grants

Physical Education

National Writing Project

Parent Information and Resource Centers

along with 34 other ESEA programs to total 43 program eliminations. (See the full list of programs here.)

As a dedicated school leader, you invariably will be impacted by elimination of these programs, whether it is through less or no school leader professional development with the elimination of the School Leadership grant, or it is through no financial support from the federal government to maintain a safe and healthy school environment with the elimination of the Safe and Drug Free State Grants. Additionally, we know that every state, and thus district, is recovering more slowly from our economic recession than the nation as a whole, and thus relies heavily now on federal support for these critical programs for your schools. NASSP therefore urges you to click here and use our draft letter to contact your members of Congress and express your strong opposition to Rep. Hunter’s bill.

We also strongly encourage you to include a few sentences in which you give a personal example of why it would be so detrimental to your school and your students and staff if the federal government were to eliminate funding for any of these 43 programs that are implemented in your school.

Contact your members of Congress now with our draft letter and explain to them why this bill cuts spending where our country needs it most and how it would impact the success and well-being of your school and all the hard-working people-including yourself-in it. Read more about this bill in NASSP’s most recent Principal’s Policy Blog.

Thank you for your advocacy,

Mary

May 15, 2011

ABENY Sponsors College Scholarships

Sunday, May 15th, 2011

Yesterday, members of the Scholarship Committee of the Association of Black Educators of New York, met at the Brooklyn Public Library at Cadman Plaza to read and review student applications for their annual college scholarships. From 90 applications the committe of seven teachers, principals and administrators selected five candidates to recommend for this year’s winners. ABENY celebrates these scholarship winners who have SAT scores above 1500 and scholastic grade averages of 90 or above at its annual Fundraiser Luncheon to be held June 18th in Queens. For more information, go to www.abeny.org.
Last month the ABENY Education Committee met in Manhattan at the headquarters of Harlem Your Way Tours. We sent Human Service Certificates to students in over 100 public schools.

By Jeanette Toomer
May 15, 2011